Details
1 | The film has already been shot and edited, only awaiting color, fx, & music! |
2 | Our team is filled with Emmy winners, Oscar Nominees, and social media stars. |
3 | Horror/Thriller films are the most PROFITABLE genre. (15% more than Comedies, 20% more than Dramas) |
4 | Since COVID-19 halted productions, streaming services and distributors are hungry for new content. |
5 | The cast's vast social media following (over 850k Instagram followers) will help drive sales. |
6 | Tackles relevant issues related to social media, tapping into a large market. |
7 | Director Sylvia is an Emmy award winner and seasoned festival director with previous film sales. |
8 | Anarchy & Wild Union (Amityville Murders, Uncut Gems) are companies attached for post-production. |
Follow Her is a cautionary tale that delves into the dark side of social media and one woman's alarming journey in search of "likes" and "followers." We wanted to make a compelling and commercial thriller that spins social media on its head and shows us a startling future we could be heading towards.
The film is shot, it's edited, and all we need are closing funds to finish the final touches on the film.
SYNOPSIS
Struggling actress and moderately successful live-streaming star Jess Peters, otherwise known as J-PEEPS, has found her way into the zeitgeist. By secretly filming creepy interactions she encounters via Craigslist, she uses the kinks and weirdness of others for Internet success.
For her next episode, she's hired to write the ending of a screenplay which leads her to a cabin in the woods with Tom, the alluring self-proclaimed screenwriter. Upon receiving the script, Jess realizes she is the main character in the story and Tom is not at all who he seems — this is a Craigslist experience where Jess should really be afraid…
OUR TEAM
We assembled an incredible team behind this project filled with talent galore. From award winners to social media phenoms, we've assembled the best of the best.
The film is helmed by director/producer Sylvia Caminer, who is a two-time Emmy award winner. It was shot by the Oscar-nominated Luke Geissbuhler most notable for shooting Borat (I&II), Match and Fahrenheit 11/9.
Producing the film is Michael Indjeian, owner of Giddy Productions, and Sibyl Santiago, the festival director of the Soho Film Festival in New York and Founder of Sitting Cat Productions. Legendary indie filmmaker, John Gallagher, is a Co-Executive Producer.
Dani Barker, the creator of the successful web series Starvival turned TBS show The Unprofessionals, wrote and stars in Follow Her. Her co-lead in the film, Luke Cook, most known for his role in The Chilling Adventures of Sabrina, brings with him over 735k followers increasing at a rapid rate
In addition, the cast is topped off with Mark Moses (Mad Men, Desperate Housewives, Platoon) and rising star Eliana Jones (Night Hunter, Northern Rescue).
WHAT YOU GET BY CONTRIBUTING
Unlike other platforms, Wefunder allows you to become a real partner with the filmmakers as an INVESTOR. This puts the power back in the film team and allows for more original films to get made! For us to be successful we must raise a minimum of $50,000 USD. All our investors would receive their investment back + 20% and then we start sharing in the profits. For exact details on how the funds will be used, click READ MORE OF THE STORY below or scroll to the very bottom of the page.
Post production is one of the most expensive parts of indie filmmaking! Being that this is a social media film, our visual effects alone cost $50,000 (Note: all funds are in USD). Similar to Kickstarter, we need a minimum amount on this platform in order to access funds. That minimum is $50,000.
If we raise: $50,000
Use of Proceeds:
40% towards Sound Design; 15% towards Color Correction; 35% towards VFX & GFX including main title design; 2.5% towards Original Score, 7.5% towards Wefunder intermediary fee
If we raise: $120,000
Use of Proceeds:
20% towards Sound Design, 33% towards VFX & GFX including main title design, 6% towards Original Score, 5% towards Final Editing, 20% towards Contingency, 2% towards Travel, 6.5% towards General Expenses, 7.5% towards Wefunder intermediary fee
MARKET OPPORTUNITY
Since COVID-19, streaming services are hungry for more content!! On top of that, the Psychological Horror Thriller (sub-genre of Horror Movies) is BOOMING; during 2016, 1,028 movies of this genre were produced – TWICE the number made in 2006.
Marketing for Classified Films LLC will be done through a variety of mediums with the Internet being the primary driver. Pre-roll advertising will contain releasing the trailers and behind the scene shorts through YouTube, Instagram, Facebook, and Twitter. Since this is a psychological horror-thriller, the company will explore public stunts and influencer marketing they can pull to create audience interest in the movie.
OUR AUDIENCE
Follow Her will appeal to an adult male/female audience, 17-50 age range. Fans of psychological horror thrillers will be attracted to this film. With Luke cook attached as our male lead TOM BRADY we will be able to tap into the fan base associated with the highly successful Netflix series CHILLING ADVENTURES OF SABRINA as well as the hit CW series KATY KEANE.
Follow Her anticipates that the primary audience for FOLLOW HER will be from USA, Mexico, India, China, Japan, Russian Federation, Germany, France and the United Kingdom.
The cinematic approach and storyline of the film is inspired by such recent thriller successes as 10 CLOVERFIELD LANE, DON'T BREATHE and THE STRANGERS. The FOLLOW HER team has made a visually stunning film paying extreme attention to the production design, cinematography and costumes! Now in post-production we are filling out the world of the film through extensive sound design and VFX/GFX.
COMPARABLES
Like many low budget films, it's easier to recoup costs when budget costs are low. Some comparable films story-wise and budget-wise are: Hard Candy, Get Out, It Follows and films like Unfriended and Friend Request.
Take a look at the breakdown below for approximate budget numbers.
RELEVANCE / TIMING
Follow Her is a complex battle of wits while exposing a deep contrast between an addict- filled digital world and a world that exists outside of phone signals.
It raises the question: At what lengths will people go to to keep people entertained and how far is too far for fame?
While still striving to balance out Hollywood's age old gender inequality, we bring you this bone-thriller feature not only written by a female powerhouse but directed by one! There's no better time than now to support female filmmakers making cutting edge content that keeps you on your toes.
While we desperately need equality and inclusivity to create better films, we filmmakers want the best films to be selected on merit and not on gender parity.
DolGer Films is a very active production company based in New York and Florida. DolGer has produced projects around the world from Tanzania to Vancouver to Paris. It is currently in production on 2 features (1 narrative & 1 Documentary) in active development on 2 non-fiction series and 2 Narrative features. DolGer has produced 7 feature films including acting as the U.S. production company for a Harvey Keitel WWII epic, “Chosen” which secured distribution with Lionsgate and Grindstone. DolGer has also worked with among others Netflix, Hulu, Epix, Amazon, EOne, & Freestyle.
DolGer Films projects have been accepted into TOP FESTIVALS: SXSW, Nashville, Sidewalk, Denver, Mill Valley, Florida, Soho, Oldenburg, Montreal, HotDocs, IDFA, Karlovy Vary, Palm Springs, Cinequest, Ft. Lauderdale and Avignon, to name a few.
We plan to take this film to festivals around the world. We have already submitted to Sundance! The first of many, many more in 2021:
FESTIVALS DEADLINES:
Cannes (March 2021), TIFF (Feb 2021), Fantasia (Mar 2021), Sitges (July 2021), VIFF (Vancouver Intl Festival), SXSW (loves horror! - March 2021), Tribeca (April 2021).
Other festivals we are planning to submit to: Venice, Colorado, Oldenburg, Cinefest, Berlin, Telluride and Raindance.
HORROR FESTS:
Midnight Madness (Toronto)
Overlook, Bifan, Fantastic Fest , London Independent Film Fest.
Frightfest, MOTELX, Cinequest, NIGHTMARES FILM FESTIVAL.
Popcorn frights is fun! Etheria Film Festival is awesome . Stanley Film Festival was the festival in the Shining House. Horrorhound is great as well .
ABOUT THE GENRE - PSYCHOLOGICAL THRILLER HORROR
There are all kinds of ways to frighten an audience, as the proud, diverse catalog of horror movies demonstrates, however; psychological horror is a particularly tricky technique to pull off. All of cinema is an exercise in empathy, but to drag an audience down into the pits of a disturbed mind requires vision, technical precision, and a willingness to put your viewer through absolute hell.
This genre often emphasizes the unstable or delusional psychological states of its characters having a "dissolving sense of reality." It is often told through the viewpoint of psychologically stressed characters, revealing their distorted mental perceptions and focusing on the complex and often tortured relationships between obsessive and pathological characters. Psychological thrillers often incorporate elements of mystery, drama, action, and paranoia.
Psychological horror relies on mental, emotional and psychological states to frighten, disturb or unsettle readers, viewers, or players. The subgenre frequently overlaps with the related subgenre of a psychological thriller, and it often uses mystery elements and characters with unstable, unreliable, or disturbed psychological states to enhance the suspense, drama, action, and horror of the setting and plot and to provide an overall unpleasant, unsettling, or distressing atmosphere.
WHY INVEST IN US?
Follow Her is a fresh, new concept that will jump-start a whole series of films. It's clever, well-written, unique, scary, heartfelt, and deeply disturbing posing a question of morality around: who the bad guy really is. The true horror of the film is anyone watching can easily see themselves in this situation.
Indie horror movies don't need big names to make a big profit. Films like Unfriended, Dark Web and Truth or Dare are horror films made in the last few years that have profited at least ten times the amount it cost to make them - and without the use of big name talent. It's very common for an independent producer to strike a six-figure deal on a micro-budget feature, especially in this genre.
Our film will deliver the realism, production value, and level of character depth of much higher-budgeted theatrically released comparable films. The relatability of the characters and their relationship, along with a dedicated cast & crew, makes for a well-executed film.
The stage has been set and the live-stream has begun, are you going to join the show or watch from behind your screen? Invest in Follow Her today.
Follow Her: A Thriller Film! has financial statements ending December 31 2019. Our cash in hand is $12,822.53, as of October 2020. Over the three months prior, revenues averaged $0/month, cost of goods sold has averaged $0/month, and operational expenses have averaged $9,264/month.
Management’s Discussion and Analysis of Financial Condition and Results of Operations
You should read the following discussion and analysis of our financial condition and results of operations together with our financial statements and the related notes and other financial information included elsewhere in this offering. Some of the information contained in this discussion and analysis, including information regarding the strategy and plans for our business, includes forward-looking statements that involve risks and uncertainties. You should review the "Risk Factors" section for a discussion of important factors that could cause actual results to differ materially from the results described in or implied by the forward-looking statements contained in the following discussion and analysis.
Overview
Classified Films LLC is the production company behind Follow Her.
In five years, we hope to have produced and released a sequel to Follow Her. After the release of Follow Her, the plan is to produce many more of these types of films. These are forward looking projections and are not guaranteed.
Given the Company’s limited operating history, the Company cannot reliably estimate how much revenue it will receive in the future, if any.
Milestones
CLASSIFIED FILMS LLC was incorporated in the State of New York in November 2018.
Since then, we have:
Historical Results of Operations
Our company was organized in November 2018 and has limited operations upon which prospective investors may base an evaluation of its performance.
Related Party Transaction
Refer to Question 26 of this Form C for disclosure of all related party transactions.
Liquidity & Capital Resources
To-date, the company has been financed with $380,004 in debt.
After the conclusion of this Offering, should we hit our minimum funding target, our projected runway is 2 months before we need to raise further capital.
We plan to use the proceeds as set forth in this Form C under "Use of Funds". We don’t have any other sources of capital in the immediate future.
We will likely require additional financing in excess of the proceeds from the Offering in order to perform operations over the lifetime of the Company. We plan to raise capital in 2 months. Except as otherwise described in this Form C, we do not have additional sources of capital other than the proceeds from the offering. Because of the complexities and uncertainties in establishing a new business strategy, it is not possible to adequately project whether the proceeds of this offering will be sufficient to enable us to implement our strategy. This complexity and uncertainty will be increased if less than the maximum amount of securities offered in this offering is sold. The Company intends to raise additional capital in the future from investors. Although capital may be available for early-stage companies, there is no guarantee that the Company will receive any investments from investors.
Runway & Short/Mid Term Expenses
CLASSIFIED FILMS LLC cash in hand is $12,822.53, as of October 2020. Over the last three months, revenues have averaged $0/month, cost of goods sold has averaged $0/month, and operational expenses have averaged $9,264/month, for an average burn rate of $9,264 per month. Our intent is to be profitable in 8 months.
Since December 31, 2019, we raised an additional $199,024 from a combination of private investors and Friends & Family. In January & February 2020 we finished filming with 7 days of principle photography and 4 days of 2nd unit. During Jan. & Feb. we incurred an increase in expenses to cover filming. We resumed picture editing in April and had minimal expenses through August. As of late September we have moved into a fuller post production calendar getting our post house, Anarchy Post, started with all sound and color work as well as our VFX/GFX company, Wild Union Post started.
No revenue is expected in the next 3-6 months. Expenses to bring the film to completion and continue submitting to film festivals will total approximately $105,000. If we only raise our funding minimum of $50K, we will raise the rest off Wefunder through other investors.
It is extremely difficult to predict revenues after the film has gone to market, as films run the full gamut. Feature / thriller / horrors have ranged from $0 to $100M+ in revenue.
The Company intends to raise additional capital alongside this offering from investors under the same terms offered here. Although there is no guarantee that the Company will receive any investments from investors. Throughout the Wefunder campaign, we intend to finance operations through these outside investors as well as self-financing.
1 | Investment in Film, by nature, is a high-risk investment. The industry is constantly shifting and changing and business models that work for one film, may not necessarily work for another one. Performance on a film often depend on external forces, outside of the control of the company. |
2 | Sylvia P Caminer and Dani Barker are part-time officers. As such, it is likely that the company will not make the same progress as it would if that were not the case. |
3 | Our future success depends on the efforts of a small management team. The loss of services of the members of the management team may have an adverse effect on the company. There can be no assurance that we will be successful in attracting and retaining other personnel we require to successfully grow our business. |
4 | Coronavirus - this is a limited challenge as the film has completed principle photography and picture editing is complete. However if there are problems regarding the coronavirus with the finishing team it could delay the final film. Our post house & VFX team are taking precautions with the guidelines set out by CA & NY. |
5 | Critical and Audience Reception - Our film, like most others, will heavily rely on how it's received by others. If our film receives mixed to bad responses it will inherently make it more difficult to make a profit. Our entire team is confident in our project but even crews with the best of intentions can sometimes miss the target. Having said that horror is one of the few genres that can survive mixed reviews as it has a built in fan base with drastically different taste than critics and general audiences. |
6 | Competition - Film is a naturally competitive industry and nobody quite ever knows which way the wind will blow. If thriller/horror films with a social bent were to suddenly go the way of the western we would be hard pressed to make a profit. Theres also almost an unlimited supply of content nowadays and our film will need to be good enough to cut through the plethora of films on the market. |
7 | Receipt of revenue is often tied to third party companies such as sales agents, distributors and exhibitors. While the money could earn money in the marketplace, it is possible that revenue could not reach The Company as a result of a third party claiming bankruptcy or refusal to pay. |
8 | The Company will not be performing background checks on any of its team members or employees. The reception of a film is often tied very closely to the public perception of the team members and employees (i.e. director, cast, producers, company). While the company will hold its team members and employees to the highest standards of professionalism while making the film, if it is learned at any point that those team members were involved in inappropriate, immoral, unethical or illegal conduct in the past or after the creation of the film, it could affect the performance of the film in the marketplace. |
9 | The creation of a film is tied to external forces outside of the control of the company, including, but not limited to, weather, terrorist attacks, and labor strikes. Events of this nature could have an impact on both the timeline of the project and overall budget. Extreme cases may make it impossible to complete the project |
10 | Working capital requirements and the potential need for additional financing –there is no assurance that unforeseen events will not occur, resulting in the need to raise additional funds beyond what the company and the managers project. Furthermore, companies with limited operating histories do not always use capital in the most efficient manner. Thus, the company and the managers may need to raise additional capital to fund future operations and to satisfy future capital requirements of the company. The failure to raise any additional needed funds could have a material adverse effect on the company and the managers. In addition, it is anticipated that raising additional funds will result in additional dilution of each offeree’s investment. Subject to the terms of the agreement, though the company and the managers do not anticipate that additional financing will need to be obtained, there can be no assurance that additional capital will not be needed. |
11 | Limited operating history – the company has been in existence for a very short period of time, and is subject to all the risks incident to the creation and development of a new business, including the absence of a history of operations and minimal net worth. Furthermore, the company has not produced or distributed a full-length motion picture. The company and the managers have, and will continue to, endeavor to employ or otherwise retain the services of those persons with the skills necessary to successfully produce and distribute a full-length feature film, but no assurances can be given that they will be successful in these efforts. |
12 | Indemnification – under certain circumstances set forth specifically in article iv of the operating agreement, the managers will be indemnified by the company for any liabilities or losses arising out of the managers’ activities in connection with the company. Indemnification under such provision could reduce or deplete the assets of the company. |
13 | Liability of members – members might, under applicable law, be liable to the company in an amount equal to any distribution made from the company to members, if, after distribution is made, the remaining assets of the company are not sufficient to pay its then outstanding liabilities, exclusive of liabilities to the members arising on account of their respective interests in the company. |
14 | Loss on dissolution or termination – in the event of a dissolution or termination of the company, the proceeds realized in the liquidation of assets, if any, will be distributed to the members only after the satisfaction of claims of creditors. Accordingly, the ability of a member to recover all or any portion of his or her or its investment under such circumstances will depend on the amount of funds so realized and the amount of claims to be satisfied therefrom. |
15 | Income tax consequences – there are various risks associated with the federal income tax aspects of an investment in the company which should be carefully considered by each prospective investor to determine whether an investment in the company is suitable for such prospective investor. Each prospective investor is urged to consult his or her or its own tax advisor with respect to the federal (as well as state and local) income tax consequences of an investment in the company. |
16 | Audience appeal – the ultimate profitability of any motion picture depends upon its audience appeal in relation to the cost of its production and distribution. The audience appeal of a given motion picture depends, among other things, on unpredictable critical reviews and changing public tastes and such appeal cannot be anticipated with certainty. |
17 | Cost overruns – the costs of producing motion pictures are often underestimated and may be increased by reason of factors beyond the control of the producers. Such factors may include weather conditions, illness of technical and artistic personnel, artistic requirements, labor disputes, governmental regulations, equipment breakdowns, and other production disruptions. While the company intends to engage production personnel who have demonstrated an ability to complete films within the assigned budget, the risk of a film running over budget or of not being completed is always significant and may have a substantial adverse impact on the profitability of the picture. |
18 | Distribution – the profitable distribution of a motion picture depends in large part on the availability of one or more capable and efficient distributors who are able to arrange for appropriate advertising and promotion, proper release dates and bookings in first-run and other theaters. There can be no assurance that profitable distribution arrangements will be obtained for the picture or that the picture can or will be distributed profitably or that the picture will be distributed at all. |
19 | Long-term project – the production and distribution of a motion picture involves the passage of a significant amount of time. Pre-production and Principal photography are already completed but Post-production may extend for three to four months or more. Distribution and exhibition of motion pictures generally and of the picture may continue for years before gross proceeds or net proceeds (as defined herein) may be generated, if at all. |
20 | Foreign distribution – foreign distribution of a motion picture (i.e., outside the United States and Canada) may require the use of various foreign distributors. Some foreign countries may impose government regulations on the investing members with this system is that such investing members, who have had their money at risk for the longest time, are at the tail end of the box office receipts chain. Thus, if the company, in negotiating a distribution deal, has to rely heavily on a participation at some defined level of the picture’s revenue stream, revenues to the company, and thus to investing members, are likely to be the last in line to benefit from such a revenue stream, if any. |
21 | Industry changes – neither the managers nor the company can predict the effect that rapid technological change, emerging distribution channels or alternative forms of entertainment may have on the company, the managers or the motion picture industry. The entertainment industry in general, and the motion picture industry in particular, continue to undergo significant changes, primarily due to technological developments. Due to rapid growth of technology and shifting consumer tastes, neither the managers nor the company can accurately predict the overall effect that technological growth or the availability of alternative forms of entertainment may have on the potential revenue from and profitability of the picture. In addition, certain outlets for the distribution of motion pictures may not obtain the public acceptance that is or was previously predicted. If certain distribution channels are accepted by the public, neither the managers nor the company can assure offerees that the company will be successful in exploiting such channels. Moreover, to the extent that other distribution channels gain popular acceptance, it is possible that demand for existing distribution channels, such as DVDs, will decrease. If the company is unable to exploit new distribution channels to the same extent expected as existing channels. Company’s business, operations or financial condition could be materially adversely affected. |
22 | Picture’s liabilities – the company will actively participate in the production and distribution of the picture. Because insurance covering such liability may not be available at a reasonable cost, or may simply not be obtained, the assets of the company may be exposed to operating risks that may arise from the creation, exploitation and disposition of the picture. |
23 | Subject to the terms and conditions of this agreement, the managers have reserved the specific authority to enter into agreements on behalf of the company with motion picture or television studios, distributors and/or other third parties pursuant to which the company, in exchange for such studios’, distributors and/or other third parties’ assistance in producing, distributing and/or otherwise exploiting the picture, may commit to pay such parties out of revenues generated by the picture at a point in the picture’s revenue stream prior to company’s receipt of its gross proceeds.Such agreements may include, but are not limited to, flat fee arrangements, negative pickup deals or an outright sale of the picture, if in the judgment of the managers; such a sale would be in the best interest of the company. In addition, subject to the terms and conditions of the llc agreement, the managers have reserved the right (1) to produce the picture and seek the most advantageous distribution agreement for the picture, and (2) to enter into agreements on behalf of the company which provide that persons rendering services or other materials or facilities in connection with the development, production, distribution or other exploitation of the picture shall receive, as salary or other compensation, deferred amounts or a percentage participation in company revenue. Such reliance on the judgment and discretion of the managers place a greater emphasis on the skills and judgment of the managers, and the managers’ advisors and therefore makes it imperative that prospective non-managing members carefully examine the abilities of such managers and the managers’ associates before choosing to provide any subscription hereunder. |
24 | Distributions and liquidity - distribution of the company’s proceeds to the members will provide a primary source of distributable cash or securities to the members. The managers will have absolute discretion in the timing of such distributions, if any, subject to the terms and conditions of this agreement. There can be no assurance that there will be any distributions or that aggregate distributions, if any, will equal or exceed the members’ investment in the company. |
25 | An investor who purchases interests in the company should be aware that the investment in the company is highly speculative and that such investor risks losing his, her or its entire investment. |
26 | Illiquidity of investment – there is no public market for the interests and one is not expected to develop. Each investor should be aware that he/she/or it must bear the risks of an investment in the company for an indefinite period of time because any transfer, sale or assignment of the interests is subject to the consent of the managers in its discretion. Furthermore, the interests have not been registered under the securities act of 1933, as amended (the “act”), or any other applicable law, and therefore, cannot be sold and must be held indefinitely unless they are subsequently registered under the act, and any other applicable law, or, in the opinion of the managers, exemptions from such registration are available. Any such registration is unlikely to occur in the future. In addition, no sale, transfer or assignment of an interest will be permitted if, in the opinion of counsel for the company, such sale, transfer or assignment would violate the status of the original sale of the interests which formed the basis for the exemption from registration under the act, or any applicable state securities laws, pursuant to which such interests were offered, or cause a termination of the entity’s treatment as a company for federal income tax purposes. As a result of these restrictions, members may not be able to liquidate their investment in the event of an emergency, and the interests may not be readily accepted as collateral for a loan. |
27 | Inherent uncertainty of projections – the indicative cashflows and certain forward looking statements are based on certain assumptions and other information available to the managers. However, the underlying estimates, assumptions and future events are inherently uncertain, and unanticipated events may occur which would cause actual results to vary, perhaps materially from any forecasted results. Each investor should be aware that many films do not get released or if released are not commercially successful, and lose money. As a consequence, each investor should be aware that neither the company nor the managers guarantee or warrant any specific projected result of an investment in the company. Accordingly, investors should retain and rely upon the advice of their own professional advisors with respect to their individual suitability for an investment in the company and the tax consequences resulting therefrom. the foregoing list of risk factors does not purport to be a complete explanation of the risks involved in an investment in the company. |
28 | Managers’ conflicts of interest – the managers are not required to render exclusive services in connection with the picture or the company. The managers, the production team and the talent have interests in a variety of activities other than acting as managers to the company, including involvement with the production of other films. In addition, the managers, the production team and the talent may organize companies that are similar to the company in the future. The managers may be principals in, or have profit interest in, the company. Accordingly, conflicts of interest may arise in the allocation of the managers’, the production team’s and/or the talent’s time between the company and one or more of these other activities. Additionally, the managers may enter into services agreements with the company. The terms of such agreement may not be the result of an arms-length transaction, but be considered to be equal to, or less than, industry standards for the associated services rendered to the company. |
Director | Occupation | Joined |
---|---|---|
Dani Barker | Actor/Writer/Producer @ SAG/AFTRA | 2019 |
Sylvia P Caminer | Director/Producer @ DolGer Films | 2019 |
Christopher Gaunt | Producer/Writer/Actor @ ALL Things Entertainment | 2020 |
Liliana Kligman | Producer @ Cafe Oscuro Films | 2019 |
Leslie Whirly Robinson | Executive Producer @ Swirly Whirly Media | 2020 |
Officer | Title | Joined |
---|---|---|
Dani Barker | CEO | 2019 |
Sylvia P Caminer | President | 2019 |
Holder | Securities Held | Voting Power |
---|---|---|
Sylvia P Caminer | Membership interests | 50.0% |
Dani Barker | Membership interests | 50.0% |
Date | Amount | Security |
---|---|---|
$22,375 | Custom | |
02/2020 | $7,762 | Loan |
02/2019 | $17,500 | Loan |
02/2019 | $11,980 | Loan |
02/2020 | $142,262 | Loan |
02/2020 | $49,000 | Loan |
02/2019 | $104,490 | Loan |
02/2019 | $35,000 | Loan |
02/2018 | $12,010 | Loan |
Lender | Issued | Amount | Oustanding | Interest | Maturity | Current? |
---|---|---|---|---|---|---|
Dani Barker | 02/01/2018 | $12,010 | $14,412 | 0.0% | 01/01/2023 | Yes |
Private Investors | 02/01/2019 | $35,000 | $42,000 | 0.0% | 01/01/2023 | Yes |
Dani Barker | 02/01/2019 | $104,490 | $125,388 | 0.0% | 01/01/2023 | Yes |
Cory Barker | 02/01/2019 | $11,980 | $14,376 | 0.0% | 01/01/2023 | Yes |
Sylvia Caminer | 02/02/2019 | $17,500 | $21,000 | 0.0% | 01/01/2023 | Yes |
Outside investors | 02/01/2020 | $142,262 | $170,714 | 0.0% | 01/01/2023 | Yes |
Dani Barker | 02/01/2020 | $49,000 | $58,800 | 0.0% | 01/01/2023 | Yes |
Cory Barker | 02/01/2020 | $7,762 | $9,314 | 0.0% | 01/01/2023 | Yes |
Name | Dani Barker |
Amount Invested | $12,010 |
Transaction type | Loan |
Issued | 02/01/2018 |
Outstanding principal plus interest | $14,412 as of 10/2020 |
Interest | 0.0 per annum |
Maturity | 01/01/2023 |
Outstanding | Yes |
Current with payments | Yes |
Relationship | Officer |
Name | Dani Barker |
Amount Invested | $49,000 |
Transaction type | Loan |
Issued | 02/01/2020 |
Outstanding principal plus interest | $58,800 as of 10/2020 |
Interest | 0.0 per annum |
Maturity | 01/01/2023 |
Outstanding | Yes |
Current with payments | Yes |
Relationship | Officer |
Name | Dani Barker |
Amount Invested | $104,490 |
Transaction type | Loan |
Issued | 02/01/2019 |
Outstanding principal plus interest | $125,388 as of 10/2020 |
Interest | 0.0 per annum |
Maturity | 01/01/2023 |
Outstanding | Yes |
Current with payments | Yes |
Relationship | Officer |
Name | Sylvia Caminer |
Amount Invested | $17,500 |
Transaction type | Loan |
Issued | 02/02/2019 |
Outstanding principal plus interest | $21,000 as of 10/2020 |
Interest | 0.0 per annum |
Maturity | 01/01/2023 |
Outstanding | Yes |
Current with payments | Yes |
Relationship | Officer |
Name | Cory Barker |
Amount Invested | $11,980 |
Transaction type | Loan |
Issued | 02/01/2019 |
Outstanding principal plus interest | $14,376 as of 10/2020 |
Interest | 0.0 per annum |
Maturity | 01/01/2023 |
Outstanding | Yes |
Current with payments | Yes |
Relationship | Brother of an officer |
Name | Cory Barker |
Amount Invested | $7,762 |
Transaction type | Loan |
Issued | 02/01/2020 |
Outstanding principal plus interest | $9,314 as of 10/2020 |
Interest | 0.0 per annum |
Maturity | 01/01/2023 |
Outstanding | Yes |
Current with payments | Yes |
Relationship | Brother of Officer |
$25,000 |
50% towards Sound Design; 15% towards Color Correction; 25% towards VFX & GFX including main title design; 2.5% towards Original Score, 7.5% towards Wefunder intermediary fee
|
$82,000 | 20% towards Sound Design, 33% towards VFX & GFX including main title design, 6% towards Original Score, 5% towards Final Editing, 20% towards Contingency, 2% towards Travel, 6.5% towards General Expenses, 7.5% towards Wefunder intermediary fee
|
The Securities and Exchange Commission hosts the official Form C on their EDGAR web site.
When we first started talking about doing a WeFunder campaign it was quite intimidating ... we had that dreadful thought "what if nobody shows up" ... we are...
This means the world to us as we are so so close to finishing the film! We are slated to do our final sound mix and color work in January 2021!As a special T...
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