WHERE WE ARE NOW!

As of November 2024, we have WRAPPED PRODUCTION!!

We are beyond excited and happy with how filming went. It was a crazy couple of weeks. We dealt with snow, fires, a week of overnights, and a freezing bog. Bonds were formed, and a kick-ass movie was made. We are currently in the editing phase of our film with an initial cut ready to be shown.

With that said, we are looking to continue raising funds for our movie to make it the best it can be. We are seeking an additional $30,000 to help pay for post-production services.

This includes coloring, sound design and sound editing, composing the music, marketing, deliverables, film festival entries, distribution, and any additional fees that may accrue.

Our perks will remain as they are and we will continue sharing the word about our project. We are so excited for the film, that I wanted to share a few (unfinished) stills from our movie - including some BTS of our cast and crew!

STILLS:

BEHIND THE SCENES:

Our whole team that made the film is below! This is us enjoying one of our final nights together before wrapping.

If wanting to help finish an independent film made by friends and family sounds like you, or someone you know, we would love to know and connect! We are forever grateful for those who have already partnered with us, and we hope to continue to spreading the word about our film! We really believe we have something special here, and we want to make sure that we have the funds possible to ensure a quality product.

Thank you all so much!!!

-Maxwell Hughes Klaiber

THE CAMPAIGN BELOW:

Logline

When three friends embark on a weekend getaway, their bond is put to the test as pride, fragile egos, and jealousy threaten to tear them apart.

Director's Statement

Hello, Everyone! My name is Maxwell Hughes Klaiber and I am the writer and director of "The Rattlin' Bog."

My vision for this film is to challenge and comment on traditional horror tropes, where the villains are not only friends, but just two guys. Normal dudes. I am hoping to highlight and discuss, through the perspective of our lead character Lauren, the destructive nature of egotistical behavior and its role in perpetuating harmful power dynamics - especially within platonic friendships. So many of us, including myself, have been in situations similar to Lauren's. I mean, who hasn't been caught in the middle of a feud that only continues to grows in tension and you don't know how it is going to end which scares you? Right?

RIGHT??

My hope is for people to enjoy absurdist humor that is wrapped in grounded performances, where you don't know whether to laugh, cringe, or be terrified. I want to create a reason for people to sit together in a movie theater and experience all of those feelings. A goal is for this to be a community experience for both the production and distribution of this film. I hope to contribute to the changing landscape of independent filmmaking, in regards to what is possible and achievable at a low-budget level.

As a film director hailing from the town of Redding (and technically Anderson - go Cubs), I carry with me the essence of this community in every project I undertake. Growing up there instilled a profound appreciation for the power of storytelling, work ethic, and camaraderie. It has been a joy working closely with the town I grew up in to begin this journey.

Your investment in this endeavor is not merely a financial contribution; it is a testament to our shared passion of art, and culture, and the potential to further what is possible within the independent filmmaking community.

Short Film

Our officially selected proof-of-concept short film has just landed distribution with the online platform Klipist. THE RATTLIN' BOG: CLICK ON ME!

Synopsis

Throughout "The Rattlin' Bog" we follow Lauren, Phil, and Chris as they embark on a weekend getaway to a remote cabin in the woods. As the only woman in the group, Lauren quickly realizes that she's in for a weekend in which her patience for the toxic behavior being displayed by her friends will be seriously tested.

Lauren finds herself caught in the middle of a power struggle between Chris (her childhood best friend) and Phil (a more recent friend from college). As they each bid for dominance and control of the room, their fragile egos threaten to tear everything apart.

With the rest of the group stranded back at home, Lauren is faced with a difficult choice: stay and endure the escalating conflict, or leave early and alone with no real means of travel down the mountain. Impulses are acted on, feelings are hurt, and the situation edges towards an explosion of violence and chaos.

There is a growing demand for innovative and thought-provoking stories that challenge our perspectives. 'The Rattlin' Bog' explores complex themes through comedy that is darkly satirical, but also, comedy that is filled with suspense and tension; making it a unique and timely addition to the horror-comedy genre.

Our Vision

Our vision for the film extends beyond the film itself — we're just as passionate about the story behind the camera. We have been told so many times by so many filmmakers that the "cavalry isn't coming," and that we don't need to wait for anyone to give us permission. We took that sentiment to heart and have set out to make our first film as soon as we can.

We are by no means the first group of filmmakers to contribute to the form this way, but we are hoping to nurture the future of independent cinema. To us, it looks like a bunch of friends, already practiced and confident in their craft, coming together to make something we are all excited about with the support of our filmmaking and local communities.

Part of our cause is a drive to prove that films can be made without the backing of a major studio -- carried on the shoulders of passionate friends, family, and supporters. We want to show that this style of filmmaking may help revitalize the need for risk-taking stories within our profession, that there are still creative ways to find an audience and engage with them. A major ingredient is the willingness to go out and make something!

In our over-saturated commercial industry, growing stale from a lack of individual voices and organic storytelling, independent films have risen above the odds to not only produce uniquely well-crafted experiences but have still proven financial success year after year.

To bring this vision to life, we are seeking investors who are passionate about independent filmmaking and share our values. By investing in 'The Rattlin' Bog,' you will not only be contributing to the growth of emerging talent but also supporting a film that will contribute to an important cultural filmmaking conversation.

Business Plan

Now that principal photography is finished, we are aiming for a budget of $100,000 to make our film the way we hope to. In the event of coming in under-budget, we have created a tiered budget breakdown. This is so a version of the movie can exist at multiple budget levels.

Our financing went entirely towards the production of this feature film for logistics, our crew, and our cast. Everything we raise from here on until our campaign closes will go towards post-production which includes music, sound design, color, and marketing. We plan to make our income and investors their money back from securing distribution deals with domestic and international distributors for Theatrical, Digital, and Blu-ray releases after an initial festival run.

As the investor, you stand to make back 125% of your initial investment (138% for Early Bird Investors) PLUS 40% of Net Profits. In the event of coming in under budget, those remaining funds will roll entirely into the digital marketing of the film to help in creating the highest possible chance of seeing a return.

Once the film is completed, we will submit to the top film festivals with our personal connections to programmers (Fantastic Fest, Fantasia, Berlin, SXSW, etc.). Then, we will pursue top end distribution by packaging the film at the highest level agencies, distributors, and sales companies, such as IFC Films, Endeavor Content, UTA, CAA, and APA just to give a few examples. Should we sign with one of these companies, we will create and launch a distribution strategy including top film markets.

We'll also consider self-distribution following behind renowned independent filmmakers who have paved and shown a way for us to find success via this route. We owe a debt of gratitude to these filmmakers. Though it is a longer and tougher road, we are beyond equipped and ready to tackle whichever route is needed for this film to be most successful.

PERKS -

From the bottom of our hearts, thank you so much! We are beyond appreciative that you are investing in our film and we want to give thanks by giving access to INVESTOR ONLY opportunities. You will be included in our private Substack where we will be hosting live discussions with the filmmakers to talk behind the scenes and participate in Q&A about the film. The Substack will have consistent updates about the project and our progress from pre-production all the way through distribution.

We are eternally grateful for your investment. We understand words aren't enough to fully encapsulate the gratitude we have, but we still want to give you a specialized thank-you card from our team. Any way we can show our thankfulness is important to us. From here on out, every investment will also have access to the private Substack.

-A Specialized Thank-You Card from our Team

-A Private Link to the Film

-A Specialized Thank-You Card from our Team

-If you're lucky, perhaps a video of Maxwell crying because of how thankful and appreciative he is for this investment. Seriously, our team will be so thankful and appreciative of you forever and ever! Please, enjoy a private link the film once completed!

Thank you for investing in our film! At this tier, we want to give you a private link to the film where you can watch it whenever, wherever. Additionally, we want to include a copy of our shooting script, personally signed by our cast and crew.

-An annotated copy of shooting script signed by the cast / crew**

-A Private Link to the Film

-A Specialized Thank-You Card from our Team

Your name on the big screen! In the credits, be sure to look for your name in the "Special Thanks" section. We want to thank you beyond measure for investing in this film and we want to hold a spot for you on set to join us as an extra. Your investment goes a long way and you deserve a special thank you!

-Complete IMDB & Screen Credit under "Special Thanks"

-An annotated copy of shooting script signed by the cast / crew**

-A Private Link to the Film

-A Specialized Thank-You Card from our Team

-Be an extra! You will receive a guaranteed spot to join us as an extra in the film for day of shooting.*

Making a film at any budget level is a challenge. We want to recognize your level of generosity and give thanks where thanks needs to be given. With this investment, you will be given an official Associate Producer credit in the movie and on our poster. Come visit set and see the team!

-Complete IMDB & Screen Credit under "Associate Producers"

-A 1-Day Visit to the Set*

-An official film poster signed by main cast and writer/director

-An annotated copy of shooting script signed by the cast / crew**

-A Private Link to the Film

-A Specialized Thank-You Card from our Team

With this investment, we want to show you our utmost gratitude and thankfulness. We wouldn't be able to make this film without your generosity and dedication to the project. As a Co-Producer, you join our tight-knit team and will be officially credited on IMDb and on screen. We can't wait to see you at our private LA screening and reception!

-Complete IMDB & Screen Credit under "Co-Producers"

-Invitation to a "Cast & Crew" Screening in Los Angeles*

-A 1-Day Visit to the Set*

-A Private Link to the Film

-An official film poster signed by main cast and writer/director

-An annotated copy of shooting script signed by the cast / crew**

-A Specialized Thank-You Card from our Team.

Investing this much means you are now an executive producer of THE RATTLIN' BOG. This means you will get your own IMDB and screen credits for the film. An investment like this means the world to us, and no words could amount to the gratefulness we have for such an investment. 

Hopefully, some of these perks below can suffice at saying thank you. In addition to the perks, we would want to invite you to the night of our premiere. If you so desire, we want to invite you to receive updates about our progress in production, post-production, and be involved with wrap parties, and red carpet events!

-Complete IMDB & Screen Credit under "Executive Producers"

-Two Exclusive Tickets to our West Coast Premiere*

-Your Company Logo in Credits

-Invitation to a "Cast & Crew" Screening in Los Angeles*

-A 1-Day Visit to the Set*

-A Private Link to the Film

-An official film poster signed by main cast and writer/director

-An annotated copy of shooting script signed by the cast / crew**

-A Specialized Thank-You Card from our Team

*Travel and lodging not included. **A signed NDA will be required prior to receiving a copy of the script.

More About Us

Maxwell Hughes Klaiber is a writer/director/producer who finds his best work in tragic comedy and satirical social commentary. Born in Redding, CA, he attended Biola University as a communication major where he received Summa Cum Laude and earned a living shooting music videos and commercials; all while self-funding his personal projects. A true student of the craft, he pulls both from classical and influential cinema as well as contemporary pieces to inspire his creations. Maxwell did not write that blurb about himself, but he liked how it sounded so he kept it. Maxwell has worked on productions for such companies as: LucasFilm, ShotDeck, Netflix, DreamWorks, Caviar TV, AFI, Epoch Films, and Wayfarer Studios. His narrative work has been featured in festivals such as Austin Film Festival, Directors Notes, NFFTY, Bolton International, Independent Short Awards, and LA Shorts while his fashion and commercial work has been featured in both Berlin Commercial and Berlin Fashion Film Festival in categories such as Best Experimental, Best Documentary - Short Subject, Best Editing, and Best 30 second branded spot. Maxwell is interested in telling human stories that deal with people's nuanced behaviors. People contain multitudes, he says. He utilizes the independent spirit in all different types of work whether it be in narrative or non-narrative projects. He is a director who values the importance of the actor and their performance, and wants to continue exploring stories that allow for this. (he/him)

Emilio Mazariegos is a Guatemalan producer who has spent the last few years as an executive in creative development for David and Jessica Oyelowo's company, Yoruba Saxon. Some of their recent endeavors include the Golden Globe nominated LAWMEN: BASS REEVES which is now streaming on Paramount+. Another endeavor is the soon to come GOVERNMENT CHEESE which will be featured on Apple+. Yoruba Saxon has partnered with Disney, Netflix, Macro, and they currently have a deal at Apple+. As for Mazariegos' personal endeavors, he has produced a feature length film for Wayfarer Studios as a part of the Six Feet Apart competition and his work has been featured in such places as Hollyshorts, Fantastic Fest, Fantasia, Cleveland International Film Festival, and LSFF. (he/him)

Jess Taylor is an up-and-coming filmmaker raised in the heartland of western cinema, Southern California. After earning their degree in Production at Biola University's School of Cinema and Media Arts, Jess has aided the productions of various shorts and features at institutions like USC, UCLA, and AFI, as well as studios like Sight Unseen (Sundance Grand Jury Winner, 2023). Her specialty in familial productions and experimental shooting styles can be found in her produced short films CAESURA, HELP ME, DISJOINT, THE DYING COWBOY, GOLDFISH, and DAS VOLK as well as her directed work LIFELINES (SEGMENT00) and SATISFACTION. Outside of their production work, Jess is one of the few queer/trans graduates from Biola University to continue aiding the department by mentoring student filmmakers and maintaining a near-complete archive of student work. She is very thankful to produce this feature in a community of friends and artists that have supported each other since undergraduate orientation, and cannot wait to unleash their combined talent upon the filmmaking world. (she/they)

Kelly Chen  is a creative and line producer based in Los Angeles, CA. Her diverse career began in physical production; from network reality television, celebrity music videos, docu-series, narrative features, to working closely with commercial clients including Apple, Amazon, LG, and Steinway & Sons. Chen’s emphasis on championing diverse voices and underrepresented communities through social impact films has also allowed her to work closely with nonprofits, her latest achievement winning CBS’s $50,000 grant towards a nonprofit of choice. As a LA native and producer of over 5 years, Chen continues her work to diversify sets above and below the line, cultivating a supportive environment and creating opportunities for POC and specifically women of color to step into positions of leadership within production. (she/her)

Andrés Aragón is a Costa Rican cinematographer working in Los Angeles. His work in the industry began as an actor working in commercials and voice over, but his passion and appreciation for technology pulled him into another path of expression. His passion for story and the technologies behind image making have pulled him to pursue a career as a cinematographer where he has photographed commercials, music videos, as well as short and long form films. Andrés is continuing his work in technology as he is advising at RED Digital Cinema and previously Panavision; two of the leading camera and optics companies in the film industry. His passion lies in crafting stories that ask questions and poise human emotional complexity. Some of his favorite films intertwine complex environments with simple human challenges at the core, such as "Arrival" and "Sicario." Andrés was nominated for a Student Heritage Awards by the American Society of Cinematographers for his senior thesis SILLY HUMAN He has recently finished his first feature with Wayfarer studios (LOVE YOU ANYWAY) and is gearing up for his second in THE RATTLIN' BOG. (he/him)

Follow Along!

Big Letterboxd fans here on the team. Below is a list of some additional films that helped inspire the world of The Rattlin' Bog, as well as some (albeit hilarious) reviews FROM THE SHORT FILM VERSION.

THE REVIEWS:

We hope you can join us in our journey. Invest in THE RATTLIN' BOG above and join our community!

If you want to be a part of our film financially, yet are unable to invest at the $100 minimum amount, please be in contact with us as any finances given under the minimum will be seen as a GIFT or DONATION and not an investment.

There are so many other ways beyond finances that can be in support of our film. Send this page around and get the word out! Let us know if there are any ways you can donate time, resources, energy, food, connections, etc.

Thank you for considering our film and hope you have enjoyed the campaign!

• INSTAGRAM
• TIK-TOK
• FACEBOOK

Ready to invest?

Our offering involves preferred stock ownership, giving you a stake in the film alongside us. Investors are prioritized to recoup 125% of their principal investment before profit-sharing begins. Following this, investors receive a pro-rata share of 40% of the backend, along with exclusive perks outlined above.

How does the film make money?

There are a variety of ways for films to generate revenue:

• Box Office: The most traditional and significant revenue stream for films is box office earnings. When a film is shown in theaters, a portion of ticket sales goes to the film's distributor and production studio. The percentage varies depending on factors like the film's budget, distribution deals, and performance.
• Home Entertainment: Films generate revenue through home entertainment sales and rentals, including DVD and Blu-ray sales, digital downloads, and streaming rights. This revenue stream has become increasingly important with the rise of streaming platforms like Netflix, Hulu, Amazon Prime Video, Disney+, and more.
• Television and Cable Rights: Films can also earn revenue through licensing agreements with television networks and cable channels for broadcast rights. These agreements may include both domestic and international distribution.
• Product Placement and Brand Deals: Some films generate revenue through product placement and brand deals, where companies pay to have their products featured prominently within the film. This can include everything from cars and electronics to food and beverages.
• Ancillary Markets: Films can generate revenue from ancillary markets such as airline and hotel screenings, educational distribution, and licensing agreements for theme park attractions or museum exhibitions.
• International Sales: Films can earn revenue from international distribution deals, including theatrical releases, home entertainment, and television rights in foreign markets.

How are profits distributed?

1. Recoupment of Costs (Expenses): The first step in the waterfall is often the recoupment of production costs and other expenses associated with the film. This includes expenditures such as production costs, marketing expenses, distribution fees, and overhead costs. These costs must be recouped before any revenue is distributed to investors or profit participants.
2. Debt: The next step is to allocate revenue towards settling any outstanding debts or deferred payments that the production has incurred. This includes any loans or financial obligations the production may have, as well as any fees that have been deferred for producers or directors involved in the project. (The Rattlin' Bog LLC is currently debt free!)
3. Investors' Preferred Return of Capital: Once costs are recouped, the next step is the return of capital to investors. Investors receive their initial investment amount before any additional profits are distributed.
4. Distribution to Producers and Talent: After investors have received their preferred return, additional revenues may be allocated to producers, talent (such as actors, directors, and writers), and other key participants based on their contractual agreements. This could include profit participation or backend deals. (A key point here is that the people making the project don’t participate in profits until investors are paid back first.)
5. Residuals and Guild Payments: If applicable, payments to guilds (such as the Writers Guild of America, Screen Actors Guild, and Directors Guild of America) and residuals to talent for their ongoing participation in the film's success may be distributed at this stage.
6. Revenue Sharing: Once all prior obligations are fulfilled, any remaining profits are distributed to investors based on a pro-rata share of 40% of the backend. We are utilizing a 60-40 model between producers and investors where we have seen some models be 70-30 in favor of the producers.
7. Contingent Compensation: In some cases, there may be additional layers of contingent compensation or bonuses based on the film's performance, such as achieving certain box office milestones or profitability targets.

Have more questions? Let's schedule a call! Click here to reach out.