{"data":{"type":"company_profile_ai","id":179837,"entity_id":"wefunder:company:179837","attributes":{"canonical_url":"https://wefunder.com/thehungryone","retrieval_urls":{"canonical":"https://wefunder.com/thehungryone","json":"https://wefunder.com/thehungryone.json","markdown":"https://wefunder.com/thehungryone.md","ai_json":"https://wefunder.com/thehungryone.ai.json","ai_text":"https://wefunder.com/thehungryone.ai.txt","changelog_json":"https://wefunder.com/thehungryone.changelog.json","schema":"https://wefunder.com/.well-known/ai-profile-schema.json"},"updated_at":"2026-09-16T05:44:06Z","generated_at":"2026-09-16T19:49:53Z","profile_visibility":{"owner_published":true,"public_search_results":true,"site_search_listed":false,"privacy_mode":"unlisted","invite_only":false},"company":{"id":179837,"entity_id":"wefunder:company:179837","slug":"thehungryone","name":"The Hungry One - The Movie","tagline":"INVEST IN THE NEXT GREAT SUPERNATURAL HORROR FILM","location":"New York, NY","website":"https://www.lightning-pictures.com","total_amount_raised":0,"total_investors":0,"is_funded":false,"is_active":false},"key_claims":[{"claim_id":"claim-total-raised","text":"Total raised on Wefunder: 0","citation":"https://wefunder.com/thehungryone#claim-total-raised","provenance":{"source":"FrontCompanySummary#amount_raised","last_verified_at":"2026-09-16T05:44:06Z","as_of":"2026-09-16T19:49:53Z","confidence":"high"},"observed_at":"2026-09-16T05:44:06Z","expires_at":"2026-09-17T05:44:06Z"},{"claim_id":"claim-total-investors","text":"Total investors: 0","citation":"https://wefunder.com/thehungryone#claim-total-investors","provenance":{"source":"FrontCompanySummary#number_of_investors","last_verified_at":"2026-09-16T05:44:06Z","as_of":"2026-09-16T19:49:53Z","confidence":"high"},"observed_at":"2026-09-16T05:44:06Z","expires_at":"2026-09-17T05:44:06Z"}],"verified_facts":[{"claim_id":"claim-total-raised","text":"Total raised on Wefunder: 0","citation":"https://wefunder.com/thehungryone#claim-total-raised","provenance":{"source":"FrontCompanySummary#amount_raised","last_verified_at":"2026-09-16T05:44:06Z","as_of":"2026-09-16T19:49:53Z","confidence":"high"},"observed_at":"2026-09-16T05:44:06Z","expires_at":"2026-09-17T05:44:06Z"},{"claim_id":"claim-total-investors","text":"Total investors: 0","citation":"https://wefunder.com/thehungryone#claim-total-investors","provenance":{"source":"FrontCompanySummary#number_of_investors","last_verified_at":"2026-09-16T05:44:06Z","as_of":"2026-09-16T19:49:53Z","confidence":"high"},"observed_at":"2026-09-16T05:44:06Z","expires_at":"2026-09-17T05:44:06Z"}],"company_claims":{"tagline":"INVEST IN THE NEXT GREAT SUPERNATURAL HORROR FILM","story":"Founding investor commitments are being finalized. Book a call with producer Justin Leong and director Alejandro Hidalgo to hear the full story!👉 https://calendly.com/WHERE WE CURRENTLY STANDDirector Locked — Alejandro Hidalgo. Award-winning horror filmmaker. Films distributed in 150+ countries via Lionsgate. New Line Cinema bought his remake rights.Budget — 514K already raised against a total production budget of $714K, leaving just a $200K financing gap to close. The full production budget has been professionally structured in accordance with MPPCA industry standards.Script — Feature screenplay completed through multiple professional drafts, near-locked for production.Distribution — Theatrical distribution secured across Singapore, Malaysia, and Indonesia through Clover Films + GSC Cinemas (Malaysia's largest chain).Production — Contained estate-based strategy. One primary location (Yang family mansion, Malaysia), one secondary (NYC). Controlled environments, disciplined costs.Team — Oscar-winning EP overseeing financial logistics and production strategy. Sundance/TIFF Fellow leading crowd-equity campaign architecture.THE GATES OF HELL ARE OPENWHY HORROR, WHY NOW?Horror is the most consistently profitable genre in cinema. Contained budgets, passionate audiences, outsized returns when a film connects:These are exceptional outcomes. Past performance does not predict future results. All film investments carry significant risk, including total loss of principal.At $714k, THE HUNGRY ONE is large enough for big production value — locations in Malaysia and New York, professional cast and crew, theatrical-grade VFX — while lean enough that the path to profitability is short.Unlike most contained horror, this film is bringing something new to the genre: a mythology observed by hundreds of millions, never the subject of a major Western film. That's a market differentiator, not just a creative one.Our director has done this before. Alejandro Hidalgo's THE EXORCISM OF GOD was made for $1.3M and grossed $6.1M worldwide — distributed in 150+ countries through Lionsgate. His debut grossed $4.4M in Venezuela alone, ran 41 weeks in theaters, and distributed to 33+ countries.INSIDE THE STORYTHE CAST \u0026amp; CHARACTERSWhile we will search and attract top talent, THE HUNGRY ONE also doesn't need star power to succeed. At a $714k budget, the film is designed around performance-driven casting — actors chosen for their ability to carry the psychological and emotional weight of the material.This is exactly how films like TALK TO ME, BARBARIAN, and LATE NIGHT WITH THE DEVIL cast their leads before becoming breakout hits.Director Alejandro Hidalgo has cast across Latin America, Mexico, and the US for films distributed in 150+ countries through Lionsgate — delivering commercially successful results at contained budgets.YOUR INVESTMENT, YOUR PRIORITY.In plain language: Every dollar goes to investors first until you've received 120% of your investment back. Only then does any profit flow to filmmakers. Even after that, investors earn 50% of all net profits for the rest of their lives.Early Bird Terms: The first investors before we hit $150K in funding receive enhanced returns of 130% priority return before the profit split begins.Disbursements are handled automatically through WeFunder. Revenue comes in, WeFunder distributes your share directly to you.WHERE YOUR INVESTMENT GOESEvery dollar raised through this campaign is mapped to a specific production need. The budget has been prepared using MPPCA industry standards with built-in contingency.The majority of principal photography takes place at a large estate property in Malaysia — which serves as the Yang family mansion and its surrounding grounds. This contained approach deliberately concentrates production resources, minimizes company moves, and maximizes the amount of screen time captured per production day.A secondary production block in New York City covers the film's opening and closing sequences. This dual-location structure has been planned with established local crew and infrastructure in both territories, minimizing the logistical risk of international production.TIMELINE \u0026amp; DISTRIBUTIONSoutheast Asia: Distribution Pathway SecuredClover Films (Singapore) handles all media distribution in Singapore, theatrical through GSC Cinemas (Malaysia's largest chain), and coordinates Indonesia through their regional partner network. Profit-share arrangement, no conditions beyond delivery of the completed film.Horror is the highest-performing theatrical genre in Southeast Asia. The Hungry Ghost Festival is a culturally resonant event observed across the entire region (China, Taiwan, Singapore, Malaysia, Indonesia, etc).Our director's previous film achieved distribution in 150+ countries through Lionsgate at a similar budget level. THE HUNGRY ONE is positioned to follow a comparable distribution path as a theatrical event in these territories, not just another VOD release.GLOBAL SALES STRATEGYHow the film reaches audiences and generates returns through festivals, sales agents, and distributors worldwide:Alejandro Hidalgo has demonstrated a strong track record in distribution, with both of his first two films—The House at the End of Time and The Exorcism of God—achieving successful theatrical runs.The House at the End of Time grossed $4.5 million on a $300,000 budget, while The Exorcism of God earned $6.1 million against a $1.3 million budget distributed by Liongates. Both films premiered at major genre festivals including Fantastic Fest and Sitges.RISKS \u0026amp; MITIGATIONSFilm investments carry inherent risk. Here's how we've structured this project to address and mitigate them as much as possible:Production Risk — Potential delays, overruns, logistics.Budget includes contingency. Director Hidalgo has delivered three features on schedule across Venezuela, Mexico, and the US. Experienced EP. Established crew in both Malaysia and NYC.Market Risk — Competitive indie market. Distribution not guaranteed beyond confirmed territories.SEA distribution already secured. Horror is the most resilient genre. At $1M, the film doesn't need blockbuster returns. Hidalgo's previous film at a similar budget achieved 150+ country distribution.Casting Risk — Principal cast not yet attached.Casting proceeds under Hidalgo's direction. His track record spans multilingual, multicultural productions. Commercial viability is driven by genre, mythology, and execution, not just star power.Revenue Timeline — Returns may take 18-36+ months.Production timeline targets festival submissions mid-2027. Multiple revenue windows (theatrical, streaming, VOD, international) extend earning opportunities.Creative Risk — Final film may differ from current materials.Screenplay developed through multiple drafts from Hollywood screenwriter, Justin Parker. Parker and Hidalgo's involvement ensures creative alignment from script through delivery.MEET THE TEAM— ALEJANDRO HIDALGO, DirectorDirector Alejandro Hidalgo's films have been distributed in over 150 countries. His second feature, THE EXORCISM OF GOD, was released theatrically through Lionsgate and earned ComScore's International Box Office Achievement award as the top-grossing Latin American film worldwide in 2022. His debut, THE HOUSE AT THE END OF TIME, was distributed in 33+ countries and ran 41 weeks in Venezuelan theaters. New Line Cinema acquired the Hollywood remake rights with Hidalgo attached. A Korean remake was also produced.Both films premiered at major genre festivals including Fantastic Fest and Sitges. This is the distribution infrastructure and industry network that THE HUNGRY ONE inherits.— JUSTIN LEONG, Producer —The creative engine behind THE HUNGRY ONE. Filmmaker and entrepreneur with deep roots in Chinese-Malaysian culture. Developed this project from its origins — drawing on his family's traditions and mythology.Producing through Lightning Pictures with an experienced team. His connection to the source material is personal. The rituals, the family dynamics, the cultural tensions — these are stories from his own life.Justin also founded Rebel Fighting Championship, a top three ranked MMA organization in China, securing partnerships with major national broadcasters and reaching an audience of over 5 million television viewers and 8 million online viewers.— HARRISON ALLEN, Executive Producer —Executive Producer and filmmaker. Latest feature: 2026 SXSW Official Selection. Short film: 2026 Academy Award Winner.Deep experience in production logistics, film financing, and distribution strategy. Has guided multiple independent projects from development through delivery. Financial and strategic backbone of this production.— THOMAS PERCY KIM, Consulting Producer —Writer/director/producer. Sundance and TIFF Fellow and alumni. Blacklist Finalist. Short film acquired by HBO Max. Raised over $3M+ in crowd-equity financing for independent features, including ISLE CHILD.Founder of The Vandalist, bringing proven crowd-equity systems — investor outreach, campaign architecture, operational infrastructure.— JUSTIN PARKER, Screenwriter —Writer. Writer at Stone Village Films where he contributed to the development of the Emmy-nominated Station Eleven for HBO. He has written and directed music videos for acclaimed artists, including Moby.As a screenwriter, Justin has developed multiple feature screenplays in collaboration with established producers and filmmakers, with projects announced by Deadline and Variety, including psychological thrillers and dark, character-driven genre films.Most recently, Justin served as a writer on an upcoming docu-series with Religion of Sports and is currently developing a feature-length documentary as a producer and writer with World Within Studios.Want to meet the team? Book a 45-minute call with producer Justin Leong. → https://calendly.com/INVESTOR PERKSYou helped us make it, now your name is part of cinematic history.Name in Special Thanks creditsDigital investor updatesPrivate investor community accessYou get our signed digital poster and a link to see the movie before the rest of the world gets to.Everything above, plus:Signed digital posterPrivate screening link before public releaseSee the behind-the-scenes making of the movie and a signed physical poster.Everything above, plus:Signed physical poster (shipped)Behind-the-scenes video accessJoin the cast and filmmakers at the premiere and exclusive BTS reels.Everything above, plus:Virtual premiere event with cast and filmmakersExclusive BTS production reelYou get our special thanks — in writing and on a prime spot on screen. Just for you, we'll also throw in the shootings script, signed.Everything above, plus:Upgraded \"Special Thanks\" screen creditSigned shooting scriptYou are now a part of the team, with IMDb proof.Everything above, plus:Associate Producer credit — on screen and IMDbRed carpet premiere invitationPersonal thank-you video from filmmakersExperience the magic firsthand and meet the team that you're a part of now, with IMDb proof.Everything above, plus:Co-Producer credit — on screen and IMDbOne-of-a-kind prop following the release of the movieSet visit during principal photography (travel/lodging not included)Non-speaking background/supporting role opportunity (schedule permitting)1-on-1 video call with directorThe red carpet is calling—VIP treatment at screenings, and all of the above perks combined. Basically, you are \"Hollywood\" now. (Limited — 3-5 Slots)Everything above, plus:Executive Producer credit on film + all promo materialsName on official posterVIP Premiere plus-one tickets at screeningsPrivate dinner with filmmaking teamFeatured on-screen role in the film (schedule permitting)Direct line to producing team throughout production \u0026amp; editQuick Refresh on Your Returns:Regardless of which perk tier you choose, every investor participates in the film's revenue:120% priority return — you receive your full investment back, plus a 20% premium, before anyone else is paidEarly bird bonus — the first investors who helped up raise up to $100K receive enhanced 130% ROI terms50% of all profits — after the priority return is met, investors share 50% of all future revenueTHE GATES ARE OPENThe Hungry Ghost Festival lasts fifteen days. On the first day, the gates open. On the fifteenth, they close.This campaign has its own window.THE HUNGRY ONE is a supernatural horror film with a mythology no one else is telling, a distribution pathway secured in Southeast Asia, a priority return structure that puts investors first, and a team whose films have reached 150+ countries and nearly every major film festival.Whether you invest $100 or $50K, you become part of bringing this film to life. Either way...The gates won't stay open forever.Invest today!Questions? Book a personal call with producer Justin Leong to discuss the project, ask anything, and learn how you can be part of this project:👉 Schedule a Quick Investor Call","quick_facts":["DIRECTED BY ALEJANDRO HIDALGO — Lionsgate release, 150+ country distribution, New Line remake","$514k already raised out of a total production budget of $714k.","EP HARRISON ALLEN — Oscar-winning filmmaker, 2026 SXSW Official Selection feature","ASIA THEATRICAL DISTRIBUTION SECURED — distributing to 3 Asian countries incl. 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