# Gigmor

Music Discovery, Booking & Ticketing App. 

The Anti-Ticketmaster Solution for Independent Music. 

- Canonical URL: https://wefunder.com/gigmor
- Entity ID: wefunder:company:124694
- Last updated: 2026-06-06T05:01:44Z
- Generated at: 2026-06-07T03:40:49Z

## Quick facts
- 🤘 Music Platform helping independent musicians get booked, earn income and grow their fanbases
- ⭐️ 100,000 artist, venue and fan accounts — growing 30% per month
- 🤑 $250K Annual Revenue, growing 200% YoY with multiple revenue streams
- ⭐️ Sticky subscription product that has just 1% monthly churn rate - better than Spotify's 3.9%!
- 🤘 Partnerships with iconic music brands: SXSW, BMI, SoundCloud, Whisky a Go Go &amp; The Mint.
- 🤑 Independent artists are the growth engine of the $120B music industry, w/revenues growing 30% YoY
- ⭐️ Executive Team from America Online (AOL), QVC, Hewlett Packard, Expedia and Salomon Smith Barney
- 🤘 Key Investors: Aerosmith's Tom Hamilton, Capital Group Portfolio Mgrs. and AOL's Former CMO

## Active fundraises
- wefunder:fundraise:72050: 4(a)(6) successful (USD)
- wefunder:fundraise:72051: 4(a)(6) successful (USD)

## Story
Gigmor is a monetization platform that offers booking, ticketing and crowdfunding services for independent musicians and venues. Our app empowers artists to grow their fan bases and monetize them through gigs, tickets, crowdfunding and merchandise sales.We're building AI-driven recommendations to save time and effort for musicians, venues and fans who need to connect, book and discover.We're working to build the largest ecosystem in the world for musicians, venues and music fans. Music is a $120B Industry The music industry is a $120B global business with strong growth ahead according to Goldman Sachs. Gigmor is focused on two drivers of growth: independent live music and fan→artist direct payments.Independent live music is an inefficient, fragmented business with a ton of unused capacity: venues sit empty, artists can’t get enough gigs, fans don’t know how to find local live music. Technology platforms like Gigmor will vastly reduce that inefficiency, just as Airbnb has done for excess space, OpenTable did for reservations, etc. A 10% lift in that sector alone is $1.2B in new revenue!Fans paying artists directly (instead of paying for a streaming service or buying tickets to a show), is a new concept, one enabled by innovative technology. Whether it be through online tips, paid subscriptions to exclusive content, buying merch online or other monetization features, our platform was built to enable artists to grow their income by connecting directly with fans.Our mission at Gigmor is to empower 60 million artists worldwide to earn income, grow their fan base and build their careers. Everyone knows Taylor Swift, but there are only 20,000 signed artists in the US—a tiny fraction of the millions of music creators at various stages of their careers. Independent music is the growth engine of the music business. And of course, music itself is part of the creator economy, which is doubling every two years. Twenty years ago only small number of artists were able to create and record music because the costs of renting a recording studio were so high they could only be funded by a record label.That world has changed radically. Now you can create music in your bedroom that sounds just as professional and polished as what you hear on the radio. As a result, there's a massive amount of new music content created. That content finds its way to the streaming platforms. But what then? Artists are in a completely DIY world, left on their own to find gigs, build an audience and earn income.Over 120,000 music tracks or songs are uploaded every day to the major distribution services like Spotify, Apple Music and other platforms. Fact - More than 50% of all music tracks were uploaded in the last 3 years alone.This is a $120 billion+ market that is ripe for disruption!The ProblemGrowing and monetizing a fan base is insanely difficult!Existing social networks aren't built for easy monetizationStreaming services pay only $0.004 per streamLive shows/tours have high costs and need extensive promotionMaintaining multiple accounts to connect with fans is frustrating and hard workOur SolutionMeet Gigmor: A Scalable New Revenue Source for Artists - Convert Fans into Paying CustomersArtists' primary channel to find and engage an audience and grow their fan base is via social networks. But social networks weren't designed for their needs. Instagram is a photo sharing platform, so using it to promote music and shows necessitates workarounds and strange software tools like Link in bio.Similarly, streaming services weren't designed to help musicians and artists to find and connect with fans. Our new app is a platform that helps artists earn income by finding gigs at music clubs, festivals and private events and by offering tools that help them connect with and monetize their fan base. Live music is everywhere—it's not just in music venues but in restaurants, breweries, hotels, weddings, malls, airports. Gigmor's marketplace connects music artists with gigging opportunities of all kinds and helps event organizers find, evaluate and book the right talent. But we're not stopping there. The opportunity is much larger. We're helping artists and venues promote their shows in our live music directory and we're helping fans discover artists and local live music. Our flat fee ticketing platform is specifically designed for independent artists and venues. Ultimately, our goal is to become an income-generating platform that helps artists convert their fans into paying customers. We're building a three-sided network that will create massive network effects, building sustainable competitive advantage. How it WorksGigmor is already a leading music network in the US with over 100,000 artists, venues and fans. We're based in L.A., which is the music capital of the world. And many of the venues we've signed up are iconic venues like The Whiskey A Go-Go, and the Viper Room. BookingWe've built a lot of partnerships along the way that have fueled our growth. BMI, one of the largest PROs (performance rights organizations), approached us after COVID to help reboot the live music industry. We have a longstanding partnership with SoundCloud, the largest streaming service for independent artists. And in the last year we became a presenter at SXSW, where we have an annual showcase much sought after by artists at many stages of their careers.Artist ProfileThe artist profile on Gigmor is designed to be a one stop shop for event organizers and fans looking to discover, book and interact with artists. We call it "Link-in-bio on steroids." It integrates everything that a fan or a venue would need to know about an artist, including their music, upcoming and past shows, merch, bio and social media accounts.TicketingBusiness ModelOur strategy is to build a business based on multiple revenue streams: two tiers of artist subscriptions, venue subscriptions, ticketing fees, and ads/sponsorships. Artist subscriptions offer increased visibility, access to high profile opportunities and other promotional features. Our roadmap includes new services such as tipping and fundraising, where we will earn a percentage of the transaction.Unit Economics and TractionOur unit economics have always been one of our core strengths. We know how to market to artists and onboard them in a very inexpensive way. Our cost per acquisition is $1 per new member.To date, our marketing budget has been in the low thousands per month. Raising capital will allow us accelerate our growth and grow our member base and revenues significantly. Our churn is very low. It's historically 2%. The ratio of the cost per acquisition to lifetime value of over $300 is extremely attractive and our revenue has grown on average 25% month over month.Go To Market StrategyCompetitionThe Next 5 Years: LiveNation for Independent MusicForward-looking projections cannot be guaranteed.Use of FundsForward-looking projections cannot be guaranteed. Also, only $1.235M of the $3M will be solicited through Wefunder.﻿﻿﻿﻿﻿

## FAQ
1. **I see references to a Gigmor Tickets service in your campaign but I don’t see that in the app. Am I missing something?**
   - Great question! Our ticketing service is currently operating on a legacy site. We’re building a redesigned, revamped Gigmor Tickets, which will be integrated into the app in the early fall. Artists and venues will be able to easily create ticketed events, which will then automatically be published in the live music listings on the Shows page.
2. **What does Live Nation for Independent Artists mean?**
   - We are like LiveNation in several respects: we act as a promoter booking artists at events (sometimes ours, eg at SXSW), we help artists market their music and shows to our growing database of fans, and we have a ticketing platform (relaunching early fall). Where we're different is that LiveNation owns and is focused on the largest capacity venues (like arenas and stadiums) and the most popular touring artists, whereas our tech-driven platform serves millions of smaller independent venues and...
3. **I was wondering, can artists receive payments through the app? If not, any plans to add? Thanks!**
   - We are building a wallet for Gigmor artists to receive payments from our ticketing platform, from venues for performance fees and for tips and other payments from fans. This fall we'll be adding a fundraising feature so artists can raise money to pay for recording or touring expenses. Artists will be able to control payouts from their wallet and transfer funds to their bank or Venmo/Paypal accounts.
4. **What is your go-to-market strategy if you plan to build a global platform? Does your unit's economic data reflect the local or global market? Is the subscription an annual subscription or a monthly subscription? If your churn rate is 2%, why is your CLTV only $300? Do I unders...**
   - Because we're a 3 sided marketplace, we have a multi pronged go-to-market strategy. We have traditionally been very successful at onboarding artists and smaller venues/event planners using SEO/SEM at a $1 CAC but have focused on the US market. After the capital raise, we plan to expand our digital marketing to other countries, starting with English speaking countries. (We already have artists in 90 countries.) 1. We plan to increase our SEO spend and will add affiliate and rewards-based marke...
5. **At what level of sales do you plan to break even? and when will it be?**
   - Based on our forecast for revenues and expenses as a result of this capital raise we expect to break even later in 2024.

## Team
- David Baird (Founder & CEO)
- Tracy Eumont (Co-Founder)

## Q&A
- Q: I see references to a Gigmor Tickets service in your campaign but I don’t see that in the app. Am I missing something?
  - A: Great question! Our ticketing service is currently operating on a legacy site. We’re building a redesigned, revamped Gigmor Tickets, which will be integrated into the app in the early fall. Artists and venues will be able to easily create ticketed events, which will then automatically be published in the live music listings on the Shows page.
- Q: I was wondering, can artists receive payments through the app? If not, any plans to add? Thanks!
  - A: We are building a wallet for Gigmor artists to receive payments from our ticketing platform, from venues for performance fees and for tips and other payments from fans. This fall we'll be adding a fundraising feature so artists can raise money to pay for recording or touring expenses. Artists will be able to control payouts from their wallet and transfer funds to their bank or Venmo/Paypal accounts.
- Q: What does Live Nation for Independent Artists mean?
  - A: We are like LiveNation in several respects: we act as a promoter booking artists at events (sometimes ours, eg at SXSW), we help artists market their music and shows to our growing database of fans, and we have a ticketing platform (relaunching early fall). Where we're different is that LiveNation owns and is focused on the largest capacity venues (like arenas and stadiums) and the most popular touring artists, whereas our tech-driven platform serves millions of smaller independent venues and artists. Second, our ticketing is fan and artist-friendly with one low flat fee. Finally, our mission and culture are focused on acting with integrity as we support and enable independent artists to build their careers and earn income. We're building a business that has a reputation for being trustworthy and transparent. That matters in every industry—but it's especially important in music where artists have felt exploited and ripped off for centuries!
- Q: Please record the webinar on the 14th and share as I (and others maybe) cannot attend. Thank you!
  - A: Yes we plan to and will post as an update!
- Q: At what level of sales do you plan to break even? and when will it be?
  - A: Based on our forecast for revenues and expenses as a result of this capital raise we expect to break even later in 2024.
- Q: What is your go-to-market strategy if you plan to build a global platform? Does your unit's economic data reflect the local or global market? Is the subscription an annual subscription or a monthly subscription? If your churn rate is 2%, why is your CLTV only $300? Do I understand correctly that you have validated your business model and will scale the business?
  - A: Because we're a 3 sided marketplace, we have a multi pronged go-to-market strategy. We have traditionally been very successful at onboarding artists and smaller venues/event planners using SEO/SEM at a $1 CAC but have focused on the US market. After the capital raise, we plan to expand our digital marketing to other countries, starting with English speaking countries. (We already have artists in 90 countries.) 1. We plan to increase our SEO spend and will add affiliate and rewards-based marketing, offering pay or other benefits to artists who refer other artists. 2. We plan to grow our bus dev team to market our ticketing and booking services to music venues, restaurants, hotel chains, etc. 3. We plan to market to fans by having artists invite their fan base to follow them on Gigmor and, soon, to send them a tip or donation. Growing our ticketing business will also drive fan acquisition since ticket purchasers will automatically create fan accounts. Most of our subscribers pay $9.99/month but we also offer an annual subscription. So the LTM reflects an average subscriber lifetime of approx 3 yrs. We have ~$22K a month in revenues right now, a blend of ticketing and subscriptions so yes we have validated our model and are raising capital to scale the business. Feel free to contact me with any more questions!
- Q: Is Gigmor open for new investments?
- Q: Very difficult to tell the artist can edit video well or artist can perform live well. Is there way to tell? Let's say rating system, or view published schedule for street performance to check it out?
  - A: Thanks for your question. We are enhancing our rating system so venues and event planners can post a rating or review of an artist's performance.
- Q: Hi Team, would you consider gettting involved in Music Royalties?
  - A: Hi Dion, Thanks for your question. That's a very complex part of the music business so we have no plans to expand into that.
- Q: If I invest. In terms of my investment. Do you offer any Royalties?
  - A: Hi Jamael, Since you're asking about an investment, I assume you mean dividends. Since we're in a growth phase, we don't pay dividends to shareholders right now. It's possible we might at some point in the future but not in the next year or so.
- Q: What happened to the raise that was live last week with $80k committed?
  - A: Hi Ryan, We weren't ready to go public because there are more funds coming in that haven't been added to the total.
- Q: I have been receiving your emails. How do we join Gigmor? My email is: jdmancino@yahoo.com
  - A: Hi Dennis, you can sign up for Gigmor as an artist, venue or fan at https://gigmor.com. You can also download our app using the links on that page. See you on Gigmor!
- Q: Are you eligible to receive IRA holdings and can that be applied to promotions?
  - A: Hi Kirk, Thanks for your interest! I don't believe you can invest from your IRA on Wefunder but you can double check by emailing support@wefunder.com.